“嘗試以亂成一團的腦漿作藥引，這個mix力求誠實地反映我們共同經歷的這段異常的日常。向內挖掘，向外釋放。”.
作為Eating Music的成員，Cocoonics在現場有著灼熱的爆發⼒。 SP404 成為她的標誌，在效果器的加持下，更多玩味的、凶悍的、甚⾄是挑釁的⾳樂姿態從她的⼿下爆發。在這個世界的加速度越來越瘋狂的趨勢下，她也帶著Hip-hop的根源影響逐漸擁抱broken beats和bass music，而民族元素則是她不變的重心。在舞池，與其說她在掌控音樂，不如說是在把握精神狀態的起承轉合。向內挖掘，向外釋放，那將是一場從人間走向幾近通靈的恍惚體驗。
Cocoonics曾受邀參加2018年香港Clockenflap Festival和Sónar Festival，為Honne和Phum Viphurt的香港演出作暖場DJ，以及過多地演出經歷，先前在香港HKCR ⽹絡電台的SP404 live set 直播也為她積攢了不少⼈⽓。作為製作⼈， Cocoonics 也參與了多張合輯，發布了多⽀精彩的單曲作品如《Hope is Everywhere》《Plague》，2021年，Cocoonics ⾸張創作 EP 即將發⾏。
As a member of the Shanghai-based label Eating Music, producer Cocoonics possesses a scorching power during her live performances. Using the SP404 as her iconic instrument, her playful and sincere sets swing from Hip Hop and Afrobeats to House, UK Bass, and Garage. With the blessing of the SP404’s effects, fierce and even provocative music breaks out from her hands. Though just out of college, Cocoonics’ sounds have already earned her invitations to perform in the 2018 Hong Kong Clockenflap Festival and 2018 Sónar Festival, open for Honne, Phum Viphurit and Blood Wine or Honey, and tour in Taipei, Shanghai, Guangzhou and Hangzhou. Her live set on Hong Kong Community Radio (HKCR) in 2019 really got people hungry for upcoming releases. Since then, Cocoonics’ tracks have appeared on several compilations by Eating Music, and she is preparing to release her debut EP in 2021, featuring her own vocals.