Jannah Quill is a Melbourne based electronic musician and artist interested in exploring the boundaries of electronic music production and performance through technological research and experimentation. She modifies existing technologies (such as solar panels) into innovative light-to-audio systems, integrated with software/hardware experimentation and analogue synthesis to carve a distinct voice in Australian art and music.
She has performed extensively nationally within Australia including at Liquid Architecture Festival, Unsound Festival: Adelaide, Museum of Contemporary Art, Arts Center Melbourne, Ian Potter Museum of Art, Artspace, Arts House, Soft Centre Festival, Underbelly Arts Festival, Melbourne Music Week and numerous club and sound spaces including support slots for international heavyweights including Puce Mary (DK), Giant Swan (UK) and Tzusing (TWN). She has been invited to perform internationally at National Taiwan Museum of Fine Arts (Taichung), Ting Shou Hear Say (Tainan), Korner (Taipei), Kyoto Art Center (Kyoto), Niman-Denatsu (Tokyo), Forest Limit (Tokyo) and Audio Foundation (NZ). Despite a predominantly solo practice; improvisatory and collaborative relationships are integral to Quill’s output with a range of national and international collaborations in various forms including ongoing collaborations with Australian experimental lighting design collective House of Vnholy and one-off comissioned collaborations with Fujui Wang (TWN) and Chris Corsano (US).
