Tag: Techno

Cheng Daoyuan的第八集節目，邀請到風格冥譎幽魅的藝術家 – Jazz Szu-Ying Chen，旅歐十年後返臺，2021年入選高雄獎，正於高雄市立美術館展出中，近年也與Houndstooth, Loose Lips Records等歐美廠牌合作，擔任封面及周邊等創作。

本集是她的第一個Mix，將與Cheng Daoyuan一同帶來一小時的industrial, techno和EBM等選曲！

For Cheng Daoyuan’s eighth episode, he invites Jazz Szu-Ying Chen, an artist who specialises in creating grotesque yet ghostly beautiful paintings. Residing in Taipei after a 10 year stint in EU/UK, she is currently showing her work at Kaohsiung Fine Art Museum as one of this year’s Kaohsiung Art Award runner-ups. She recently collaborated with labels from EU/UK as cover art and merchandise design, including Houndstooth, Loose Lips Records and more.

This is also her first mix, bringing an hour of industrial, techno and EBM with Cheng Daoyuan.

cover art by Jazz Szu-Ying Chen, “The Garden of Love 2”, 2019

Tracklist:
— Cheng Daoyuan —
Primitive Knot – Manifestations of the Outer Gods

Chu Ishikawa – Shizuka I

T V L P Æ – Adytvm I

UVB76 – Onna (feat Mari Suzuki)

Pye Corner Audio – Box In A Box

Deutsch Nepal – Ich Steh’ im Regen (Room 506 Edit)

Imperial Black Unit – God, Ceinture & Miséricorde (Club Edit)

Orphx – What Will Burn

Boy Harsher – Come Closer (Marcel Dettmann Remix)

Blakk Harbor – Moondrone

Twilight Ritual – Means Of Heath

Zoviet France – Swelled Out Downward

Luis Vasquez –  From The Drain

Sacred Lodge – Un Camino Peligroso

Anatomy – Ira Agni

Alberich – Powershock II

Scorn – Little Angel

Daughters – City Song

Ascetic Hedonism – Oblivion’s Liturgy II

Matriarchy Roots – Stereotypes

— Jazz Szu-Ying Chen —

Humanbeast – Chandelier

HEALTH – Mass Grave (ft. Soccer Mommy)

Eomac – Seashells

Akkord – Continuum

LCY – Slutty Siri

Core Self – Suspiria

Fawkes – La Ghoula

Lingua Ignota – In Tongues (Prelude)

Sightless Pit – The Ocean of Mercy

Torn Relics – Poisoned Chalice

Jazz Szu-Ying Chen
www.jazzchen.com
www.instagram.com/jazzszuyingchen/

Jazz Szu-Ying Chen (b. 1990) is a Taiwanese artist residing in Taipei after a 10 year stint in EU/UK, and is currently one of the artists-in-residence at New Taipei City’s Banqiao 435 Art District. She is currently showing her work at Kaohsiung Fine Art Museum as one of 2021s’ Kaohsiung Art Award runner ups.

Jazz’s art career debut was in 2007, with solo exhibition “Karnival” at Kaohsiung, Taiwan’s Sincewell Gallery. Since then, Jazz has been consistently exhibiting in both Taiwan and the United Kingdom every year, with her commission for London’s Chelsea & Westminster Hospital A&E Wing permanently on show since 2015. Her most recent solo show was in October 2019, at Chini Gallery in Taipei,Taiwan. She also regularly collaborates with the music scene, notably with London’s Houndstooth label on their 2018 critically-acclaimed compilation “In Death’s Dream Kingdom” and most recently with Loose Lips Records for Samantha Togni’s “Expensive Taste” EP.

Jazz’s subjects of focus span over her interest in the beauty and grotesque within the field of anatomy/medical historical imageries, botanical ornaments, to Nordic/Chinese mythologies.

台灣藝術家陳思穎，來自高雄、旅歐10年後返台，現居新北市。現在進駐於新北市政府板橋435長期進駐計劃。2021 高雄獎入選，正於高雄市立美術館展出中。

陳思穎以硬筆繪畫、銅版蝕刻版畫構築西方解剖醫學、東方歷史神話等領域的視覺意象。

藝術展覽生涯正式始於2007年於高雄新思維畫廊的個展 “Karnival”，自此，陳思穎展開每年定期的展出活動於台灣、英國兩地。最近期的個展「愛之苑」於2019年底於台北采泥畫廊發表。於2015年與倫敦 Chelsea & Westminster Hospital A&E Wing成為長期合作夥伴。2019年於台北采泥畫廊展出個展 “愛之苑”。陳思穎也定期與歐美音樂界跨界合作。例如，2018年與倫敦唱片公司 Houndstooth合作其所備受好評的專輯“In Death’s Dream Kingdom” 封面，以及最近期與Loose Lips發行的 Samantha Togni EP “Expensive Taste” 封面創作。